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The Characteristics Of The Metaphysical Poets
the solution to the supposed puzzle in the final stanza; Bermudas and. If you write about Donne (among others) why not put him last? Marvell, another Metaphysical poet, does not attempt to resolve the dialectics of the polarities, rather he ends them in a compromise. No one can deny the passion. Herbert argues for plain-speaking, truth (man's real relationship with God, not a pastoral fiction) and simplicity in a poem in which only the final two lines are simple. Of course, all comparisons discover likeness in things unlike: but in a conceit we are made to concede the likeness even while being strongly conscious of the unlikeness. Donne's imagery draws on the new (in the late 16th century) learning of the English renaissance and on topical discoveries and exploration. No word is wasted, and nothing described in detail. Samual Johnson was the first person, who invented the term Metaphysical Poetry, while talking about the life of Abraham Cowley in his book, "Lives of the Most Eminent English Poets" (177981). Here are some suggestions as to how to look at the detail of individual poems under a very broad heading. In all his poems, the reader is held to one idea or line of argument His poems are brief and closely woven.
We can see this by comparing poems. And tranquil recollections of far from tranquil outbursts: I struck the board, and cry'd, No more. But the Coy Mistress is conspicuously absent - a mere pretext for Marvell to examine his real subjects - time and the brevity of human happiness. Herbert considers man's duty to God in The Collar and The Pearl as does Marvell in The Coronet. Conclusion Intellect and wit blending with emotion and feeling marks metaphysical poetry, especially that of Donne. Herbert's imagery, by way of contrast, draws on the everyday and familiar ; reason is like "a good huswife spirit is measured in "drammes" and God's grace is a "silk twist suffering is a harvest of thorns or blood-letting, Paradise is a garden where winter. It refers to things or concepts, which are abstract.
John Donne, one of the most famous, metaphysical, poets.
The metaphysical poets is a term coined by the poet and critic Samuel Johnson.
Johnson later described Donne and his followers as the metaphysical poets.
In brief, the term metaphysical poetry implies the characteristics.
The metaphysical poets of the seventeenth century particularly admired the methodology of science, in fact.